The long run of HBO Max Shin Latin The TV series is changing gears.
The drama, which has been in the works since late 2019, will now focus on Jon Stewart, one of DC’s first black superheroes. The series, from executive producer Greg Berlanti, originally revolved around Guy Gardner and Alan Scott and already has Finn Wittrock (has fallen) and Jeremy Irvine (Treadstone) as the corresponding Green Lantern.
As part of a creative overhaul, writer and showrunner Seth Grahame-Smith left the series after completing the scripts for a full season of eight episodes. Sources say Graham Smith, who signed on a year later as writer and showrunner Shin Latin Announced, HBO Max, its parent company, producer Warner Bros. Television and now DC Comics have decided to abandon the project after a season of several regime changes.
The decision to refocus Shin Latin Coming at an important time for DC. Sources say that Jon Stewart’s character was off the table for producers who envisioned the show focusing on the first Green Lantern, openly gay Alan Scott, and Guy Gardner, as well as “several other Lanterns” – A selection of never-before-seen heroes from a comic book. With the recent departure of DC Comics headliner Walter Hamada, the decision was made to start and build the show around John Stewart, a character that first appeared in the early 1970s and was modeled after Sidney Poitier. It is worth mentioning that Shin Latin The creative overhaul has nothing to do with news this week that James Gunn and Peter Safran have been tapped to lead film, television and animation at DC Studios in the same role that Kevin Feige does at Marvel. (Gunn and Safran don’t start their new jobs until Nov. 1.)
From the previous incarnation, only Berlanti and his Warner Bros. Television-based Berlanti Productions remain. Shin Latin (Associate executive producer Marc Guggenheim, who was originally set to write the pilot with Graham-Smith, was not involved with the show before its recent retooling.)
When HBO Max announced plans for it Shin Latin In October 2019, Berlanti described it as “the biggest DC show ever” with plans for a series to air. Insiders at the time said it was the most expensive DC show ever made and easily the biggest for HBO Max, with a budget estimated in the $120 million range. ((home of the dragon, (By comparison, it cost less than $200 million.)
The show’s budget is expected to be significantly lower as HBO Max, under David Zaslaw’s joint Warner Bros. Discovery, focuses on scaling its various assets. As part of a move to find an estimated $3 billion in cost savings, Zaslav and his department heads have canceled a number of projects, including Berlanti’s planned one. strange journeys An anthology for HBO Max, JJ Abrams’ HBO original series Demimonde And already done Batgirl Feature film. (For this Dimond, (HBO reportedly acceded to Abrams’ request for a budget north of $200 million.)
WBD said in an SEC filing this week that it expects to take $2 billion to $2.5 billion in content-related tax write-offs. Eight have already been completed Shin Latin The scripts are expected to be included in this financial write-off as sources maintain that it wasn’t Graham-Smith’s creative work that ultimately destroyed the first incarnation of the show but rather its price tag.
As for Wittrock and Irvine, neither signed Shin Latin Sources indicate that Berlanti Productions is willing to work with both actors when and if the project, which currently has a script-to-series commitment, moves forward. In the spring of 2021, when Wittrock and Irvine were cast, the show was still going strong and began shooting that same year. The project is now in development, very slowly, at HBO under Blues and Warner Bros. TV topper Channing Dungy. A new line-up for the series has not yet been set as the project is back in development.
Representatives for HBO Max, Warner Bros., Berlanti Productions and Graham Smith declined to comment.
HBO’s Max Takes is Berlanti’s second turn in the Green Lantern universe. He previously wrote the screenplay (with Michael Green, Guggenheim and Michael Goldenberg) for the 2011 DC-starrer Ryan Reynolds. The film was met with negative reviews and was considered a flop. It grossed $219 million against a $200 million budget.